Sometimes we need to be creative to find a place to share our work. It is not always possible to create something unique and hang it in a gallery. Even if the creation exists on a backcountry trail, it will impact those that encounter it.
Question: Best and worst part of creating Street Art?
Answer: Make your mistakes in public.
What is worth doing, even if it contains mistakes? What risks are we willing to take in order to connect an idea with a community that may care? Who are we willing to disappoint in order to complete our quest?
The opportunities that cause me the most anxiety are usually the ones that I need to explore. I said ‘yes’ to a university experience even though I did not have all the answers and was bound to fail repeatedly in a classroom of strangers. I agreed to work on consulting engagements that challenge my approach and yet I continue to look for ways to serve and add value. Travel brings numerous opportunities to fail publicly and yet I continue to pursue a destination even when I make a wrong turn or plan poorly. I participate in sports that provide moments physical pain. My original front tooth lies somewhere on the side of the road in NH thanks to a cycling team crash in High School. The very public mistake of inadvertently brushing my front wheel against another rider’s rear wheel left me more committed to my craft.
As Seth Godin reminds us, do work that matters. I highly recommend Seth’s audio book, Leap First: Creating Work that Matters. The development of the audiobook inspired the publication of Your Turn, which is equally engaging. I have been handing out my extra copies to people who are trying to create change and are willing to succeed and fail in public.
I look forward to seeing our mistakes in public venues. Our art matters.
* Banksy is not on Facebook or Twitter but his art continues to be discovered wherever he produces it.
EGOT, an acronym for those select artists who have won an Emmy, Grammy, Oscar, Tony during their career. A remarkable achievement in television, music, film, and stage. What makes it more rare is the unpredictability of the marketplace. What if our box office record breaking film runs into a Citizen Kane? Or Book of Mormon’s fanatic followers outpace our acclaimed staging of the Presidency of FDR? Perhaps our genre of music is slightly less popular the year our hit single releases.
Creating art for the awards and celebration is maddening work. We must get the content right for the marketplace but also anticipate the timing of other works that will overlap with ours. We can point to Impressionist artists (famous today) who lived anonymous lives and dabbled in poverty. Their works auction for millions of dollars and are required acquisitions for any national museum. Yet, their contributions went unheralded during the award shows of their time, if they could even get placed in the show.
An EGOT artists is part superior artistic talent and part coincidence of events. Akin to spotting a shooting star in the night sky. If we aspire to win we need a different mindset than if we aim to inspire, transform, and engage. Being clear about our intention is crucial.